PHOTOGRAPHER’S JOURNAL: What is it about such passages that draw me in, that tease the child inside many of us? I remember the day we discovered the other entrance to this bridge across the track. It was one of our first explorations of the American Brass flat-wire mill. I noted the condition of the bridge decking, and my better judgement decided that it was enough to look through the dirty glass of the locked door and not risk crossing the track, but the hunt had begun for the other side.
Had I crossed the bridge then I would have been totally lost, and it took more than a year of searching before I found my way to the end above the rod mill. It was not where I had expected it to be. The trick is that this is not the bridge but a passage across the rooftop to the edge of this building. The track and bridge are just beyond the door, and the existence of the long, perpendicular hall in which I stood to take this picture, that runs for hundreds of feet to my right and left, was unknown. The only access is a small stair leading from the second story men's locker room. Old plastic sheeting blocked the way and made it look especially uninviting, and it was a long walk from the bridge entrance I was trying to locate.
So what factory function warranted the expense of building a bridge over the track to a long room, one bay wide and only accessible by a narrow bridge or three flights of stairs at the far end?
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