Sunday, August 17, 2014

Headstrong (The Dressmaker's Daughters 10)

PHOTOGRAPHER’S JOURNAL: Twenty-two mannequins and an opera house with large windows letting in filtered side light! 

How fluid the forms! How little it seems to require for these mannequins to spring to life with attitude and intent! How subtle the faceless cues of movement from which we intuit significance! Is it only the central figure whose presence is felt, or do all three come with distinct mental posture?

This is from a subset of the images that especially relies on the form and texture of the mannequins’ surfaces and that light. These images are extremely detailed. Even in these jpg reductions one can see most of the fabric’s weave and the stitching. However, on originals viewed 100% you will see beyond that to the wrapping of the fibers of the woven cloth. Such tiny details frequently cause moire patterns to appear when they fall in or out of phase with native screen dpi. They also seem to react strangely to various tools I use to control certain kinds of contrast adjustments, and there will probably be issues when I begin to print them. All of that only makes the more interesting to me.

Next time I go back, I want to get the camera even closer. How close can I get and still make them live?