NOW at the Waterbury Library

Photographs from the continuing series, "Brass Valley Made in America," are on exhibition at the Silas Bronson Library in Waterbury, from June 3 to July 31.

An Invitation
WHEN: June 19th at 6:30 PM
WHERE: Silas Bronson Library, Waterbury (http://www.bronsonlibrary.org/)
WHAT: Emery Roth will show slides, talk about his experiences, and read poems and stories from the draft of his book on Brass Valley. For three years Mr. Roth has been following the old railroad tracks and photographing among ruins and in the last working brass mill in the Naugatuck Valley. Thanks to the existence of a unique extruder, one brass mill continues operation. It is the last descendent of American Brass with functioning mill buildings in Ansonia and Waterbury. Mr. Roth's photographs capture the men and equipment at work, the large casting furnaces, the extruder, pickling tanks, draw benches, annealers still functioning in a facility that has been making brass tube since before WW I.


Thursday, June 28, 2012

detail 1


PHOTOGRAPHER'S JOURNAL: What units measure my distance from the people who built these terraces? How do I weigh the gap? How far are they, am I, from the hovering walls of the dark gorge?  A visit here is a sublime assault of spiritual vertigo. They tell me it's just the altitude, but I believe it's a matter of scale and proximity and forces we lack the tools to plumb. 

The dark monolith in the center of the image, just behind the watchman's tower, is the sheer face of a mountain cliff. Trees cling to the cliff and you can just make out a flag on a pole at the top. In reality it would stand tall next to the watchman's tower. The distance between is deceptive, the distance down, too far to fall. The Urubamba River swirls there for several million years, and smaller than a sparrow; my time at the top, too short to note.

This image is a detail extracted from yesterday's panorama. Look at the previous image to see where it fits. With time to stroll, I'd climb up and down the terraces walking back and forth, framing images with my long lens, ecstatic with vertigo, watching how the guard tower danced with the mountain peak between the garden terraces and the mountain walls, till the sun dropped, and the gorges were sealed.