PHOTOGRAPHER'S JOURNAL - My eye was grabbed by the layered, early morning light caught in the windows of the farm truck. As I set up the shot I also enjoyed the rectilinear design elements and the way they could divide the rectangle of the picture space. Later, I experimented with different renderings of the initial image and emerged with two very different finalists.
The one above emphasizes the world out of sight as we stand in the shadow, about to or not quite ready to take on the new day. Is it a tiny bit of theater? Is it of any significance that this is Karl Koerner's barn that Andrew Wyeth loved; the light is like light he saw.
The version below puts the emphasis a little differently. It is more two dimensional, more evenly toned, more textured, all to put emphasis on abstract form. It is a classical sampler nudging us to feel the scratchy twine a bit, or the cool, worn steel of the shovel, the heft of the door handle.
For best effect the images should be viewed as close to full screen as possible.
I'm hoping someone will feel strongly enough about one of these or the other to make a case for it, or maybe it doesn't matter much.
