PHOTOGRAPHER'S DIARY: Reflections While Shooting at Olson House, Part 10
I'd been shooting buckets, basins and brooms in the shed. From behind me bright, north light spilled over my shot. When I turned, light and shadow sprayed me. I didn't even think to stop and ask what the thing was used for. I used it to wring out sunlight.
I wish I could have everything in sharp focus. I used my best macro lens and stopped it down to f25. Even so, depth of field is short, and I chose to focus where bright light first leads the eye.
I had many questions in processing the image:
How much shadow detail to squeeze out? It's tempting to adjust curves to lower contrast and make the shadows glow, but ultimately I decided that drama had soaked me, and I preserved only a shimmer to show that something was in the shadows.
What makes this shot color rather than monochrome? When I tried it in monochrome I couldn't tell whether the light source was daylight or electric light. I prefer fresh-squeezed.
