JILL ENFIELD: "Every setting conveys a thousand realities and the joy of photography comes with emphasizing the dimensions that bring personal choice to bear. A still scene w/o apparent action can reflect anything between tranquility and horror. Leaving it's capturer the choice."
PHOTOGRAPHER'S JOURNAL: Several friends wrote in to say the previous image was one of their favorites. Several others wrote to say they would have liked it better if, "the processing had been more conventional." or as another put it, "more photographic." In fact, the image above and the previous image were rendered simultaneously. Each time I adjusted one so it became my preferred version, I'd work on the other until I liked it better. Working on this version I always tried to maintain the look of photographic reality. Within that world alone there are an infinite number of choices. In the other version I gave free play to possibilities outside that expected photo reality though without changing the forms of the image.
In the end I wonder if the two images may not show the same place viewed from opposite shores. In any case, I'm interested in knowing if viewers have clear preferences for one or the other. Or better yet, I'd love to know how the two images feel different, suggest different kinds of reality, perhaps.
Be sure to click on both images to view them large.
I should add that there are a few elements in the images that were not treated the same. Most noticeably, in the previous image I took a tiny delight, perhaps perverse, in leaving the power lines that tell of a road just behind the cemetery. Of course, there was no question that they had to be removed from this, photo-realistic version.
The exhibit of my photos at the Sharon Historical Society continues through September 17.