NOW at the Waterbury Library

Photographs from the continuing series, "Brass Valley Made in America," are on exhibition at the Silas Bronson Library in Waterbury, from June 3 to July 31.

An Invitation
WHEN: June 19th at 6:30 PM
WHERE: Silas Bronson Library, Waterbury (http://www.bronsonlibrary.org/)
WHAT: Emery Roth will show slides, talk about his experiences, and read poems and stories from the draft of his book on Brass Valley. For three years Mr. Roth has been following the old railroad tracks and photographing among ruins and in the last working brass mill in the Naugatuck Valley. Thanks to the existence of a unique extruder, one brass mill continues operation. It is the last descendent of American Brass with functioning mill buildings in Ansonia and Waterbury. Mr. Roth's photographs capture the men and equipment at work, the large casting furnaces, the extruder, pickling tanks, draw benches, annealers still functioning in a facility that has been making brass tube since before WW I.


Wednesday, May 5, 2010

EXHIBITION OPENING SATURDAY, 11:00 AM to 1:00 PM, Gunn Memorial Library: Click here for info.
HOUSATONIC TIMES ARTICLE: Click here.


PHOTOGRAPHER'S JOURNAL: The road that crossed Main Street at the crossroads in the woods outside Walpack was just a narrow, cinder, forest road. I followed it in both directions later in my visit. It parallels the main valley road but on the east side of the valley. Along it are occasional farmsteads, homesteads and isolated houses, all abandoned. Many of the barns were large with hand-hewn beams and pegged bracing, the careful work of early, local craftsmen. The roofs were gone in all and hay loft floors were often rotting. The previous two images were of a farmstead along this road. The barns in this photo were on a different road but similarly fated.

Most of the abandoned houses were old. One fine homestead of stone dated to the 18th century, but there was also a yellow wreck of a raised ranch right out of 1950s suburbia. One wall had fallen away so I could look in, but one look at the outside, and I knew how the rooms lay. Beyond the fallen wall was a row of white, metal, enameled kitchen counters and cabinets, and I could see through a door into the living room where the floor had decayed, and there was a hole into the garage below, and the ceiling above was similarly compromised. Behind the wreckage I could see the mahogony stair railing and a staircase still ascending to the second floor, balusters and banisters still polished.

In the front of the house I could make out the rebellious remains of what had once been formal shrubbery. I climbed a bit of the hill behind the house to see if there was shot back down. To my surprise, nestled in the brush and hugging the vanished yard was an in-ground swimming pool filled with a dark, soupy brew; the pool was about to be swallowed by encroaching forest. What young family had abandoned this woodland paradise?

From time to time throughout the day I did see other people, mostly fishermen, but they didn't allay my sense that I had strayed from my proper century and was haunting someone else's. The fisherman were, after all, visitors like me, but unlike me, they stayed close to Flatbrook and never conversed with the natives. Near the end of the day it was a relief when my friend, Gary, joined me shooting at this abandoned barn not far from the crafts center. When visiting another century, it's safer to go with friends.