NOW at the Waterbury Library

Photographs from the continuing series, "Brass Valley Made in America," are on exhibition at the Silas Bronson Library in Waterbury, from June 3 to July 31.

An Invitation
WHEN: June 19th at 6:30 PM
WHERE: Silas Bronson Library, Waterbury (http://www.bronsonlibrary.org/)
WHAT: Emery Roth will show slides, talk about his experiences, and read poems and stories from the draft of his book on Brass Valley. For three years Mr. Roth has been following the old railroad tracks and photographing among ruins and in the last working brass mill in the Naugatuck Valley. Thanks to the existence of a unique extruder, one brass mill continues operation. It is the last descendent of American Brass with functioning mill buildings in Ansonia and Waterbury. Mr. Roth's photographs capture the men and equipment at work, the large casting furnaces, the extruder, pickling tanks, draw benches, annealers still functioning in a facility that has been making brass tube since before WW I.


Sunday, October 17, 2010

Unboarded


PHOTOGRAPHER'S JOURNAL: Leaves have turned earlier this year than I ever remember. Trees along the road were yellow well before October 5th, the marker I set on the year my daughter was born to measure future leaf change. There were few reds until a week ago, and color has survived the recent rains.

Autumn is a fit backdrop for this forgotten mill town where few trains pass, and it feels right that on several shoots here I have had to keep my camera sheltered under my "Rothcloth," (a photographic invention of mine that has been "manufactured" by Jane) while frequently wiping raindrops from the lens.

Many of the old mill buildings here are colossal ruins. A few still rent office space to small businesses. Some storefronts in town are for rent, others suggest another age. Friends tell me it's all a symptom of post-industrial society, and I wonder what "post-industrial society," might be. Is there such a thing?

I've been shooting here while processing photos of Maine fishing harbors, both remnants, some would say relics, of industrial America?