PHOTOGRAPHER'S DIARY: To go nameless is to accept the will or whim of the viewer, to permit viewers to rampage recklessly, trampling my image with evocations of their own.
The photographer's defense is in images that can counter that recklessness; that can strongly "allude to things or states of being" relying on little more than color, form, and texture. Add a name to this image and it is immediately less than it might otherwise be. Once the wind has stilled, the allusive power of light is subsumed in wood siding.
