GENE LOGSDON: "The whole [Kuerner] farm was like a museum of Wyeth paintings cleverly concealed by reality. It was delightful hunting them out."
PHOTOGRAPHER'S JOURNAL: In the great barn the spirit of Wyeth was always elusive, just out of reach, even as it was omnipresent in light and textures and in my thoughts. Like many barns, the second floor opens over the barn yard in a large Dutch door so that stored, hay bales can be dropped onto waiting wagons. The door is flanked by windows, and all stare eternally at Kuerner Hill. It is one of those views familiar from many Wyeth paintings and drawings. as is the view back the other way. Wyeth may have only rarely sketched the barn, but he sketched from it, perhaps taking a bit of shelter in the winter behind the Dutch door while he drew Kuerner Hill.
